Driftmusic, by Antoni Maiovvi

Driftmusic

by Antoni Maiovvi

supported by

Nikk Rhodes Awesome album. Would be sexy If the plan to release this album as a box! Favorite track: Swamp Department.

D Harrison Just an incredible body of work; the track 'Branca' alone has an awe-inspiring build towards pure euphoria, but somehow over the course of 26 tracks the intrigue never flags.
Reminds me of OPN's Rifts not necessarily in sound (although they definitely share certain reference points) but in terms of its simultaneous breadth and focus. Favorite track: Branca.

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$16 USD or more
Signed 2x12" Edition.
Record/Vinyl + Digital Album
2 twelve inch version. Combined and signed by Antoni Maiovvi.
Contains the tracks

White
A1-Adams
B1 - Branca

Grey
A1 - It Isn't All Peach Cream Buddy
B1 - Swamp Department
B2 - Rejoice! Rejoice! The Streets Run Red With The Blood Of The Bourgeoisie

Includes unlimited streaming of Driftmusic via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	Adams 10:24	buy track
2.	Branca 10:46	buy track
3.	It Isn't All Peach Cream Buddy 08:31	buy track
4.	Swamp Department 04:23	buy track
5.	Rejoice! Rejoice! The Streets Run Red With The Blood Of The Bourgeoisie 06:08	buy track
6.	Redruth 06:58	buy track
7.	Swim Closer 07:08	buy track
8.	Linguistics 06:02	buy track
9.	Verde Pastoral 08:52	buy track
10.	Western Power Mosaic 06:27	buy track
11.	Watching Vases Explode In Slow Motion 06:26	buy track
12.	Hvy CRT 07:47	buy track
13.	Spook Logos 06:05	buy track
14.	Increasing Pressure 05:57	buy track
15.	Nothing Becomes Clearer 07:21	buy track
16.	Stormwatcher 08:27	buy track
17.	Teen Machine 08:31	buy track
18.	2SPK4U 08:09	buy track
19.	Dighton Point Blues 07:02	buy track
20.	Live From A Glass Cage 06:58	buy track
21.	Dreamtrigger 07:25	buy track
22.	Wishart 08:16	buy track
23.	Nude Topography 09:00	buy track
24.	Revenge Is Sweeter Than Wine 11:35	buy track
25.	Become Insect 06:40	buy track
26.	North North East 05:31	buy track

about

Pre-Forgive me because I am about to ramble. Driftmusic began life as an experiment in raising my production game, whilst also being a spiritual sequel to the Not Not Fun LP ‘Avrokosm’. Though there are some musical decisions that are very, very different from Avrokosm, however, the ideas of dream states and floating in oceans of electronic atmospheres are carried over. Consider it almost as if Avrokosm was the short film version, and given it’s length, Driftmusic is certainly the feature film adaptation. I want to say something about Tarkovsky but that is for you, dear listener, to decide.

Because we can’t call it trance (because there are are lot of people who are no fun telling you that you what you can and can’t enjoy) Driftmusic ideally works on headphones. It is advisable to not operate heavy machinery while your mind goes astray. I’m pretty sure it would be ok to fly a plane though because I heard that pilots sleep most of the time anyway. It is a good record for long journeys. I think you’d be ok driving a car also.

Now for some technical information:

Driftmusic is a mostly hardware based album, recorded and edited digitally. My set up is an assortment of digital and analog equipment. There is one exception which is “Live From A Glass Cage” which is entirely sample based, it is also the oldest track on the record as it was written in 2013, in Berlin. All these tracks were written in Berlin aside from ’Nude Topography’ and ‘North North East’ which were written in Spain. The general span of writing was between 2013-2016.

It is unlikely that this more definite dance floor experiment will be repeated, I should never say never but given what I am working on now, it seems these four-to-the-floor technoid fantasies have ceased. I never know if I have succeeded with my experiments. But I invite you to come drift with me across digital landscapes, between lucid dreams and beyond the clouds of sky city. It’s beautiful out here…

credits

released December 6, 2017

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about

Antoni Maiovvi New Haven, Connecticut

A project born in Bristol in 2006 and developed in the bohemian dystopia of Berlin from 2009. Antoni Maiovvi walks the line between retro-synth and horror soundtracks for both real and imagined films.

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